BIO

Holly Black was born in November 1971 in a decrepit Victorian house in New Jersey. Her mother, a painter and doll-maker, fed her books on ghosts and faeries that formed much of her later views on the world. She also developed a fear of the dark. Nonetheless, Holly spent a happy childhood cooking up imaginary witches' brews with her younger sister, Heidi, and taking care of her pet rats.

Adolescence brought Dungeons & Dragons, punk rock, boys, and an unhealthy habit of reading books until 3 a.m. During this period, Holly wrote a lot of poetry, as well as a play and a novel titled KNIGHTS OF THE SILVER SUN. She also met Theo Black, a painter who was attending private school. They moved to Philadelphia together to attend college.

After graduating, Holly got a job in New York while working at night on an independent gaming magazine, d8. It was through d8 magazine that she met fellow writer Steve Berman and illustrator Tony DiTerlizzi. It was also during this time that she began the suburban fantasy novel, TITHE: A Modern Faery Tale.

Today Holly lives in West Long Branch, New Jersey with Theo, who she married in 1999. She is an avid collector of rare folklore volumes, spooky dolls and outrageous hats.

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Tony DiTerlizzi

BIO

Tony DiTerlizzi was born into an artistic household on September 6, 1969. At an early age he began embracing the whimsical, the wondrous and the surreal, all of which sparked his wild imagination.

Tony grew up in South Florida amid palm trees and year-round sunshine. While he enjoyed collecting insects, snorkeling and camping, he also loved to draw and read. During this time he was introduced to the works of Norman Rockwell, Arthur Rackham, Dr. Seuss, Roald Dahl and Jim Henson, all of whom inspired him and became major creative influences. With the support of family and teachers, Tony was able to cultivate his natural artistic talents. In college, he honed these talents at the Florida School of the Arts and later at The Art Institute of Fort Lauderdale, where he earned a degree in Graphic Design in 1992.

After college, Tony began a freelance illustration career, working for TSR's Dungeons & Dragons role-playing game. He continued to illustrate within the gaming field for most of the 1990s, working on games such as Planescape, Changeling and the trading card phenomenon, Magic the Gathering.

After seven years of successful work as a fantasy artist, Tony entered a new field: that of creating children's picture books. With the publication in 2000 of JIMMY ZANGWOW'S OUT-OF-THIS-WORLD MOON PIE ADVENTURE, Tony fulfilled a childhood dream of writing and illustrating his own book. Critics loved the book; this was followed the next year by TED, which also received high praise, including the 2002 Zena Sutherland Award. Tony has also illustrated the ALIEN & POSSUM series by Tony Johnston, RIBBITING TALES, and the star-studded ONCE UPON A FAIRY TALE, in which all proceeds benefit Steven Spielberg's Starbright Foundation. However, it is his spooky picture book of Mary Howitt's classic poem "The Spider and the Fly" that brought him much fame and accolades. His fantastic vision garnered him the 2003 Caldecott Honor Medal and the moniker of New York Times bestselling author/illustrator.

Continuing with his passion for fantasy, Tony has lent his vision to an array of noted authors' works including J.R.R.Tolkien, Anne McCaffrey, Greg Bear, and Peter Beagle.

Tony currently lives in Amherst, Massachusetts.

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AUTHOR TALK

September 2007

Tony DiTerlizzi and Holly Black, creators of the bestselling The Spiderwick Chronicles, have published THE NIXIE'S SONG --- the first installment in a follow-up series chronicling two children and their hunt for faeries, with their own copy of ARTHUR SPIDERWICK'S FIELD GUIDE TO THE FANTASTICAL WORLD AROUND YOU in tow. In this interview, DiTerlizzi and Black recall how they first met and formed this award-winning collaboration and discuss what readers can expect from Beyond The Spiderwick Chronicles, including new characters, an unlikely setting and scarier and more unpredictable creatures. They also reflect on what children find appealing about their books, share their thoughts on the upcoming Spiderwick movie --- scheduled for release in February 2008 --- and describe the series' official fan club, the International Sprite League.

Question: How did you two meet?

Holly Black: I was working on a small "role-playing game culture" magazine called d8 and went to interview Tony. We had so much fun chatting that we wound up hanging out again at the Gen Con game fair. And then hanging out some more in Tony and his wife's apartment in Brooklyn. And hanging out even more after that.

Tony DiTerlizzi: Holly and I have been friends for a long time. One of our common bonds is that we are both BIG book lovers and also love games like Dungeons & Dragons. We also enjoyed the same fantasy movies growing up, films like Legend, Labyrinth, and The Dark Crystal. Especially the Jim Henson films --- that's why we dedicated ARTHUR'S FIELD GUIDE to him, his work was so dear to us.

HB: Another common bond is our interest in faeries. We can talk about faerie and folklore stuff endlessly, boring our spouses, Theo and Angela, nearly to death.

Q: After the Grace children made believers out of you, you decided to put their story into words and pictures in The Spiderwick Chronicles. Tell us about your collaborative process.

TD: The interesting thing here is that Holly and I are both writers. Holly writes for an older audience (IRONSIDE, TITHE, VALIANT), and I write for a younger (JIMMY ZANGWOW'S OUT-OF-THIS-WORLD MOONPIE ADVENTURE, TED, G IS FOR ONE GZONK!). The Spiderwick Chronicles is kind of a middle ground where both of our writing skills meet. We both love story and plot and approach storytelling from different angles, so this made for an interesting hybrid that I am not sure either of us would have done separately.

So bringing the Grace children's tale to life was an experiment in true collaboration. Holly and I would discuss in detail the best way to tell the story, and at the end of the day, she would go off and actually write the story, and I would draw the illustrations.

HB: The greatest challenge for me was to take what the Grace children told us and translate it into a story. Life doesn't occur the way the plot of a book does --- there are a lot more boring bits and a lot more complexity and coincidence. I had to change things around and emphasize certain parts more than others to make the series work.

Working with Tony was really helpful in figuring out how to do that and looking at his art was always inspiring.

Q: Are you surprised by the success of The Spiderwick Chronicles?

HB: You could knock me over with a feather.

TD: Seriously, I am so blown away. It just goes to show that twenty-first-century children still love a good fairy tale.

Q: THE NIXIE'S SONG is the first book in the sequel series, Beyond The Spiderwick Chronicles. What's THE NIXIE'S SONG about and why did you decide to write a new book cycle?

HB: We always said when we put out ARTHUR SPIDERWICK'S FIELD GUIDE TO THE FANTASTICAL WORLD that we were giving kids the tools to get in as much trouble as Jared, Simon, and Mallory did. Well, THE NIXIE'S SONG is about two kids --- Nicholas and Laurie Vargas --- who use the FIELD GUIDE to do just that. Set in Florida in an unfinished development, Nick is still trying to get used to the idea that his father has remarried and that he and Laurie are supposed to be family now. Forced to accompany her on what he thinks is a bogus hunt for faeries, he's completely surprised to find one.

TD: Holly and I had long talks about the philosophy of a sequel. Personally, I like the "give me more of the same, but reinvent it, so it feels new and fresh again" approach, so we really took a lot of risks and spun all expectations every which way so it did not feel predictable at all. I hope the readers agree and like where we took it.

Q: Why did you decide to set THE NIXIE'S SONG in Florida, as opposed to the New England setting in the original Spiderwick Chronicles series?

TD: We always felt New England could be a likely place to see the faerie folk --- it's the part of our country where the early European settlers arrived and (therefore) their respective faeries through folk and fairy tales. We wanted to show that the fey could be found anywhere and picked an unlikely place --- the hot, humid, scrubby woods of south Florida. I grew up down there, so I felt we could capture the mood and feel of this setting successfully.

It also offered us a chance to do some ocean-and water-based faeries, which we have been dying to do since we made ARTHUR'S FIELD GUIDE.

I also think there is an underlying theme of man vs. nature in the first books and it is something we certainly explore more in these new stories.

HB: Like Tony said, I think we really wanted to undermine some of people's expectations of what a Spiderwick book was like, where it was set and even where faeries could occur. Setting the books in a place like Florida emphasizes the idea that faeries really are anywhere and everywhere. It also gives us an opportunity to play with the way a different landscape and climate affects the habits of creatures like faeries that are so tied to nature. It really has been a lot of fun.

Q: What's the next Beyond The Spiderwick Chronicles book going to be about?

HB: Well, this one is hard to answer without spoilers, but while the first five Spiderwick chapter books were about a family that was splitting up, these new books are about a family that's coming together. They're also about a boy moving past the death of his mother and learning how to see himself as someone that matters.

TD: The creatures our heroes encounter in these books, I feel, are much more dangerous than the malicious characters from the first books.

Mulgarath (the ogre from the first books) was certainly a villainous character, but he outlined his plan of what he wanted to do, and our heroes were able to thwart it. In here, the giants are more like the dinosaurs of Jurassic Park --- we are dealing with wild, untamed faeries and monsters here --- and that excites me greatly. The stakes are much higher.

Q: I saw the trailer for the February 2008 release of The Spiderwick Chronicles MOVIE...it looks so cool! Can you tell us about the movie, and were you involved in making it?

TD: We were as involved as we needed to be. I've always said that 'I make books not movies', but I've always been excited about the process of seeing one of my creations getting adapted to film --- and what a process that is!

Mark Waters, the director, was very respectful of the source material and really remained true to the spirit of the books. The production designer, Jim Bissell, also remained faithful to the spirit as he transformed my drawings into sets and props for the actors. Lastly, Phil Tippett and the folks at Industrial Light & Magic (led by Pablo Helman) did a fantastic job bringing to life the creatures from the FIELD GUIDE --- it has been a dream come true for me to see the caliber of talent involved in bringing the Graces' adventures to life.

HB: I have to agree with Tony, both about the caliber of the people involved and also about the excitement. We were involved with the scripts and gave notes throughout the process, but we also knew that the film would be different from the books and that part of that process (at least for us) would be letting go and putting our work into the hands of others. It was both amazing and unnerving to visit the set and walk through the rooms of the Spiderwick estate and watch Freddie Highmore, Sarah Bolger, and Mary Louise Parker become the Grace family. There really is no feeling like it.

Q: Each of the books has been an instant bestseller. What about The Spiderwick Chronicles do you think kids find so appealing and how is it different from other best-selling series?

HB: One difference is that The Spiderwick Chronicles are more of a serial than a series --- they are really one story broken up into five books. But also, Jared, Simon, and Mallory are just regular kids in a magical world --- their only powers are cleverness, compassion, and bravery. I think that kids respond to the idea of there being magic in their own backyards. I think we all like to believe that the world around us is a fantastical place, even if the magic is hidden from us most of the time.

TD: Exactly. These are ordinary kids in extraordinary circumstances. That's a common formula for the classic fairy tale, and at heart, that's what the Spiderwick books are.

I also think the books are different in that this serial is aimed at a younger reader than the other bigger/longer series that are out there. These books are meant to be quick enjoyable adventures. But when a younger reader finishes them all, he or she has read a five-hundred-page story, which is quite an accomplishment for a seven-year-old!

Q: What's this International Sprite League I've been hearing about?

HB: The International Sprite League is a great way to hear about Spiderwick Chronicles news, get fun stuff, and, of course, learn more about sprites.

TD: In so many ways, the International Sprite League (ISL) is really the official Spiderwick fan club. We tried to create a bunch of cool FREE things that you can do and get through the website (www.internationalspriteleague.com). At the site, you can print your own membership card, take the ISL oath with Holly and I, download desktops, icons, and even an iron-on to make your own official gear! Not to mention you can access sneak peeks of upcoming Spiderwick goodies that we're working on...

© Copyright 2007, Simon & Schuster. All rights reserved.

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